Monday, November 11, 2013

Occurrence and recurrence

We are always capable of fooling ourselves; as if events that occur, occur as part of a plan.

And as if the arrangement and the layout was our construct, making the events seem bearable, falling into their designated spaces in the grid of our understanding. We ascribe some method to occurrences and claim that some thought had gone into their happening, even when there was none. The smart ones among us also name them. Not that we are always wrong (for who knows?) but more often than not we might not even have come close to discerning why something happened. All what we think about occurrences in our lives are essentially retrospective, and by definition speculative. Thus, lust could become love, co-incidences could become fate, commonalities (common attributes) could become similarities (resemblance) and the like. Such freedom then and such burden, when one can write one's own past.

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In an earlier post I had written about recurrence. I was concerned about content then - what would a writer write that he hadn't already put on paper before? I have more to write on that. The more things recur the more they lose their relevance. If one were to know that everything could or would happen again, the essence of such occurrence in it is own time would be lost​. And would it not then go on to spoil every chance encounter, every impulse, each spur of the moment? 

​W​here would go the sweet impatience? One that makes us do what we thought not, and (perhaps) ideally ought not. The stakes of omnia aut nihil, all or nothing and the joy of stealing that one moment - with knowledge that it is all or nothing, now or never. What better exercise in courage? 

Only if something were to happen once would we really have lived it; recurrence convinces that everything is a rehearsal. To some it may be a respite, to some it is no less than a sentence. Each recurrence could be damning, one is assured one will better it, one thinks one might be able to. Such knowledge is crippling.

2 comments:

  1. Many "themes" present themselves. A world of chaos; man bound to an existence — like Ixion to his fiery wheel — which is withour meaning or purpose; the terrible weight of futility, of a labor which is not only not rewarding but is even devoid of any moral transcendence, like Sisyphus rolling a stone to the top of a mountain, whence it rolls back down of its own weight; the despair — ergo, the courage, almost superhuman courage of someone who can rise above it, be a rope over an abyss.

    For comparative purposes, i offer you these two themes: 1. Einmal est Keinmal; 2. Memento mori. :)

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  2. The cry of the overman: da capo: give it to me as it is, again and again, till the end of time; in other words, we must imagine Sisyphus to be happy.

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